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Their at the beginning uneasy coexistence gradually softens, turning in a friendship and a love interest between them, when Joaqun accidentally discovers that a little gang wants to steal a bank it causes that Joaqun decides to watch them in secret.īut Joaquns plan crashes against a couple of secrets that will threaten all the plan provided.ĭealing with a paraplegic computer engineer that moves in a wheelchair. Trying save it, he rents one room to Berta, an exotic dancer, and Betty, her six-years-old daughter. Splendid cinematography, and naturally, plenty of dark and shades by Flix Monti.

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I suppose the fact that you can't say much about it goes to prove just how unremarkable it is. So it's by far and away not a masterpiece as it lacks any outstanding moments that will stay in memory but overall the simplicity of it's intrigue underneath the baggage of it's running time and entirely unnecessary time twists is a really thoughtful and fun thriller idea that I would definitely recommend seeing at least once. After it's confusing start, unexpected plot twists flesh out the suspense, although it could have beneffited as a whole if it the plot was linear. Some dull and lifeless forerunner performances make this particular role stand out. Sam Worthington is the weirdest surprise as he actually proves that he can act. Helen Mirren and Jessica Chastain are naturally brilliant despite being on autopilot. But what saves it is terrifically outstanding performances from it's solid, talented cast and some very cleverly paced action thrills. Consequently various plot holes start to appear among cliched character development and eventually a sense of self indulgence. It's one of those films that never knows when it's on the right track. It begins as a character drama, then becomes the thriller it wanted to be, then a fish out of water romance and finally a drama again. It never knows when to cool down and too often switches it's genres aimlessly.

Due to it's confusing narrative The Debt brought about a severe case of self-aggrandizing ambition overdose.

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It deserves loads of praise for boasting a unique premise however I struggled to see how it was living up to it's full potential. But this film is an entertaining, well acted and pleasantly witty espionage thriller.

Original thriller storylines have become show stopping, and unfortunately one doesn't come around that often. The acting is expectedly top-notch, which gives the story life when in most cases it would start to lose its audience, but by the end of the film, you can not help but be a little disappointed that a fascinating story like this was not better executed.

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It is not a terrible movie, but it could have been so much more with better direction and overall better construction of the story and how to tell it. These shifts in time create an uneasy balance despite the excitement the flashback scenes hold, including what may be the best Sam Worthington performance to date. The movie constantly shifts between flashbacks of the agents, their mission, and the problems they face, to thirty years later when they are older (played by Helen Mirren, Tom Wilkinson, and Ciaran Hinds, respectively) and wear a distinct look of regret on all of their faces for some unknown reason (until the film's middle-section explains why). After twenty years, his whereabouts are discovered, and three agents (Jessica Chastain, Marton Csokas, and Sam Worthington) are sent to capture him and bring him to justice. An impressively shot but ultimately dissatisfying exercise in getting revenge on the Nazis for their crimes against humanity, with this story taking focus on a sadistic doctor (Jesper Christensen) who fled Germany after ruthlessly operating and experimenting on the many Jews that came through the concentration camps.